Over the holidays, I read Flatterland by Ian Stewart. Stewart is an English mathematician and contributor to a branch of geometry called "catastrophe theory." Sounds fun, eh?
The subtitle of Flatterland is "Like Flatland, only more so." Stewart wrote it as a sequel to and extension of Edwin Abbott's 1884 geometrical satire, Flatland. One hundred years after the events of the first book, Victoria Line, great-great-granddaughter of the original A. Square, reads her ancestor's book (against her father's express prohibition) and finds in it a code for summoning a visitor from Spaceland.
Instead of a Sphere, Victoria receives a visit from a Space Hopper, a creature who helps her visit not just many dimensions higher than the third, but a number of other strange geometric worlds. In one she sees fractals everywhere. In another, parallel lines converge. In another she can see herself in the distance. Her investigation into curved space leads into a discussion of quantum physics and relativity, a theory the Space Hopper insists is poorly named, since it's based on the one thing that isn't relative - the speed of light.
So how's the book to read? My 8th grade son read it before me, and he found it mind-twisting and thought provoking - hard, but worth it. For me, with a year of college physics and no math beyond calculus, it was surprisingly accessible. Yes, it's difficult to visualize the worlds Stewart describes, but he assures us it's difficult for mathematicians, too. And its's fun to toss these ideas around lightly like oddly-shaped objects to juggle. The format consists mostly of dialogue between the Space Hopper, who is a little bit self-satisfied, and Victoria, who is by turns a stubborn teenager, a dense student, an independent reasoner, and an inspired explorer of new intellectual landscapes.
I wish the discussion of fractional dimensions were more thorough: I felt I almost had it when the story moved on. I enjoyed Moo-bius the Cow and the Klein bottles. Topology was fun to dip into, as was the discussion of infinity and parallel lines. The section on quantum physics and relativity took me back to the weirdest, most fun parts of physics. As for the story itself, while the plot is not enthralling, it's sufficient to carry the exploration of mathematics.
Who would like this book? Anyone who would like his or her mind stretched in weird ways. I'd recommend it especially for kids in grades 8-10 who like math even if they don't like calculation; people who like visual puzzles; and people like me who want their ideas of math and science tickled by new ways of thinking about and trying to visualize shape and space.
More than anything, Flatterland is valuable because it shares with us the freaky, imaginative side of mathematics and demonstrates that math is not just a matter of plodding through more and more difficult algebra and calculus. Instead, mathematics can become a great playground for the imagination.
Does anyone have another playful or challenging melding of math and literature to recommend?
Showing posts with label math and literature. Show all posts
Showing posts with label math and literature. Show all posts
Friday, January 13, 2012
Friday, October 8, 2010
The Writing on the Wall, book review
Wendy Lichtman's novel The Writing on the Wall is the most recent addition to my small collection of middle grade novels with a mathematical theme. It's a well-written school story where eighth-grader Tess's fascination with mathematics plays a key role.
Tess loves math, and she likes to make mathematical analogies for people and dilemmas in her everyday lift. For example, she calls her friend Sammy "s to the fifth" becasue Sammy inflates everything and often says things five times. Miranda is "the absolute value of m" because, like the absolute value of a number, Miranda is always positive.
The plot centers around a series of mathematical clues left as graffiti on the back wall of a church across from Tess's school. The clues seem to point to a crime, and they also seem to be aimed at Tess as the one person who can decipher them. Tess, who is being tormented by a boy named Richard and needs the distraction, finds herself drawn into the mystery to the degree that she ignores a strong warning from the principal and starts writing some graffiti of her own.
So on the one hand, this is a mystery story with codes and clues. On the other hand, it's the story of a usually obedient and responsible student drawn into careless delinquency becasue of her obsession with numbers and with being in control. Consequences follow, and Tess has to do some re-thinking of her own motivation.
A real strength of this story is that the characters, adults and kids alike, are well-drawn and believable. One of the best is Mr. Z, the snide computer teacher. Tess is an observant narrator, though not, as she realizes, an intuitive one. The math she presents in this book will be clear and accessible to students in grades 5-8, and it's well woven into the story.
This is the second book about Tess and math, so the earlier one, Secrets, Lies, and Algebra, is worth checking out, too.
Tess loves math, and she likes to make mathematical analogies for people and dilemmas in her everyday lift. For example, she calls her friend Sammy "s to the fifth" becasue Sammy inflates everything and often says things five times. Miranda is "the absolute value of m" because, like the absolute value of a number, Miranda is always positive.
The plot centers around a series of mathematical clues left as graffiti on the back wall of a church across from Tess's school. The clues seem to point to a crime, and they also seem to be aimed at Tess as the one person who can decipher them. Tess, who is being tormented by a boy named Richard and needs the distraction, finds herself drawn into the mystery to the degree that she ignores a strong warning from the principal and starts writing some graffiti of her own.
So on the one hand, this is a mystery story with codes and clues. On the other hand, it's the story of a usually obedient and responsible student drawn into careless delinquency becasue of her obsession with numbers and with being in control. Consequences follow, and Tess has to do some re-thinking of her own motivation.
A real strength of this story is that the characters, adults and kids alike, are well-drawn and believable. One of the best is Mr. Z, the snide computer teacher. Tess is an observant narrator, though not, as she realizes, an intuitive one. The math she presents in this book will be clear and accessible to students in grades 5-8, and it's well woven into the story.
This is the second book about Tess and math, so the earlier one, Secrets, Lies, and Algebra, is worth checking out, too.
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